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Download Adobe Photoshop CS4 for Photographers: The Ultimate Workshop by Martin Evening PDF

By Martin Evening

ISBN-10: 0240811186

ISBN-13: 9780240811185

Expert advertisement photographer and electronic imager Jeff Schewe (based in Chicago, united states) has teamed up with best-selling Photoshop writer Martin night to create this goldmine of knowledge for advanced Photoshop clients. construction on Martin Evening's winning Adobe Photoshop for Photographers sequence of titles, this new consultant takes an identical successful approach and applies it to a expert Photoshop workflow. hugely visible, with transparent, step by step tutorials, this complex advisor will particularly attract those that are looking to see how the specialists process Photoshop, producing consistent top-quality effects on time and to price range. The authors describe intimately find out how to perform a few of their favourite Photoshop photograph enhancing and retouching suggestions using examples taken from real-life specialist shoots. The strategies defined right here do not simply exhibit you shrewdpermanent belongings you can do in Photoshop, they exhibit how one can use Photoshop in a qualified context, assembly the calls for of artwork administrators and pleasant tough briefs. hugely sensible, particular and encouraging, this is essential analyzing for all specialist and aspiring expert photographers, and somebody else searching for high quality effects utilizing Photoshop. * Gain a different perception into a professional Photoshop workflow, with specialists Martin night and Jeff Schewe* turn into a retouching grasp with complex protecting and compositing ideas* organize your pictures for the very best output

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Even if you use a good quality zoom lens, there may not be any point capturing anything more than 16 megapixels of data. However, if you use a modern prime lens, you should certainly see a definite improvement in capture sharpness. At the end of the day, 11 megapixels of data captured on an average zoom lens is plenty enough pixels for most reproduction quality work, but if you need extra detail, and want to make the most of what the sensor can offer, then you do need to think carefully about the lenses you shoot with.

The one rule we would apply here is to always adjust the Exposure first before you adjust the Brightness (which we’ll come onto shortly). 13 you can see an Exposure adjustment being applied. As you adjust the Exposure you can also use the Histogram to be your guide here to make sure that you don’t push the Exposure slider too far so that you clip the highlights. You can also use the highlight clip warning here as well, or hold down the O A key as you drag the Exposure slider and check the appearance of the Threshold preview shown on the screen.

This opened the Color Picker dialog shown here, where I selected a pure white color with which to fill the unmasked area. 26 Chapter 2 Raising your IQ Be ore Bef Aft f er ft er Photo: Photo: t © Mar M tin t Ev veni ening ng 3 The only problem now is that the edge of the Solid Color fill layer mask was too harsh. To address this, I made sure that the pixel layer mask was selected still, then went to the Masks panel and clicked on the Mask Edge... button (circled). This opened the Refine Mask dialog shown on the right, where I adjusted the settings to achieve a softer edge for the Solid Color fill layer mask.

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