By Nigel French
Because the characteristic record of Adobe Photoshop maintains to develop, even clients with years of expertise can think beaten by way of the numerous instruments and techniques for choosing or setting apart elements of a picture. Layers, channels, paths, clipping mask, layer mask, vector mask, the Pen device, Magic Wand, and so forth - all enable clients paintings on particular areas of a picture, yet in essentially other ways. Making fresh, effective choices is vital abilities for any Photoshop consumer, no matter if a photo clothier, specialist photographer, or hobbyist. photo fashion designer, instructor, and Photoshop professional Nigel French saves you hours of frustration by means of illuminating the simplest choice instruments and methods for particular initiatives, and the main versatile techniques to correcting and enhancing photographs in Photoshop. utilizing step by step examples, this e-book clarifies often-misunderstood choice equipment, indicates which mask most sensible pick out a variety of tone or colour, and demonstrates how the proper instruments and methods can assist rework even the main mediocre photo right into a polished snapshot, saving you hours of time. * examine the basics of creating decisions, and while to decide on which strategy * combination photographs and substitute backgrounds utilizing layer, vector, and channel mask * right colour and publicity utilizing adjustment layers * Make next-to-impossible hair choices with channel mask * Create a non-destructive workflow, supplying you with overall inventive freedom
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Additional resources for Adobe PhotoShop Unmasked: The Art and Science of Selections, Layers, and Paths
While this might be useful to help conceptualize how the color channels add up to the sum of their parts, it's of little practical use because it is in grayscale that we can most clearly evaluate the tonal values of the color components our color channels. Once the novelty of seeing your individual channels in color has worn off, I'd recommend going back and unchecking this preference. 4. You can opt to view your channels and channel thumbnails in color rather than grayscale. [View full size image] 49 50 Viewing and Editing Channels In the Channels palette, you can select one or more channels for editing.
3. Click the Quick Mask icon at the bottom of the Tools palette (or press Q). My Quick Mask color was green from the last time I used it, and that works fine; yours will probably be red. If you want to change the color of the mask, double-click the Quick Mask button to bring up the Quick Mask Options dialog. Note that the swatches in the Toolbox automatically become black and white when you switch to Quick Mask mode. 15. Click the Quick Mask icon to enter Quick Mask mode (example A). Double-click the Quick Mask icon to bring up the Quick Mask Options (example B).
53 54 Note Deleting a color channel converts the image to Multichannel mode. Because Multichannel mode does not support layers, all visible layers are flattened and hidden layers are discarded. Saving Selections as Channels As I've already mentioned, once you've made a selection, whether it's a simple selection or complex one, you don't want to have to make it all over again the next time you work on that portion of the image. So save itand once it's saved, you can recall it instantly. To save an active selection, choose Select > Save Selection, choose the appropriate options, and click OK.