By David Wellington
In the subsequent 23 hours, there'll be no reprieve,
no mercy, and no day without work for reliable behavior.
When vampire hunter Laura Caxton is locked up in a maximum-security felony, the cop-turned-con unearths herself surrounded by means of numerous murderers and death-row inmates with not anything to lose . . . and lots of time to kill.
Caxton’s continually been capable of watch her personal back–even while it’s opposed to a cell-block wall–but quickly she learns that an excellent better danger has slithered in the back of the bars to hitch her. Justinia Malvern, the world’s oldest residing vampire, has taken up place of dwelling, and her energy grows by means of the instant as she raids the inmate inhabitants like an open bar with an all-you-can-drink provide of clean blood. The artful previous vampire is familiar with simply the way to pull Caxton’s strings, too, and she's issued an ultimatum that Laura can’t refuse.
Now Laura has simply 23 hours to struggle her method via a gauntlet of vampires, cons, and killers . . . 23 hours to make one final, determined try out at maintaining the area from Justinia’s evil.
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Additional info for 23 Hours: A Vengeful Vampire Tale
Reprinted in Time Out Film Guide (2007), the review by film critic and horror and vampire film scholar David Pirie finds nothing of value in Blacula: Disappointing black movie which followed in the successful wake of Shaft. The script by Joan Torres and Raymond Koenig seems to be the real problem: apart from a garbled opening in which Blacula is vampirised while trying to liberate his people, the plot simply turns away from all the obvious political/social/sexual implications, even on the level of action.
But it was a central feature of Hillyer’s Dracula’s Daughter. Throughout that film, Countess Zaleska uses a “very old” and “beautiful” ring to hypnotize her victims. Thanks to the setting of Argentina, the treatment recalls George Melford’s Spanish-language Dracula (1931). Hall writes: Buenos Aires is the most beautiful city on the American continents, combining all that is new and modern with the grandeur of Spanish palaces and great flowered estates. The home of Senora Martinez is an imposing mansion in the midst of rose gardens.
Therefore, examining the various stages in the film’s development, its contextuality, and the importance placed on the film’s lead, William Marshall, becomes crucial in order to help us understand the film’s transformation from script to financial blockbuster to black cultural icon status. 11 The film, was never produced, but eventually a studio named Power Productions did go on to film and release Blacula with AIP. Originally, the title character in Blacula, Glut points out, was to be, by all accounts, a quite unremarkable character (contrary to Marshall’s performance, which we shall discuss later) by the name of “Andrew Brown (named after Andrew H.