By David C. Major, John S. Major
Readers in all places recognize that not anything soothes the spirit like sinking right into a magnificent booklet. If you're one in all that chuffed band, you'll fast realize the authors of this encouraged examining advisor as kindred spirits. right here David and John significant have selected 100 books which can each one be delightfully ate up in a single quiet night. protecting different types from myth to fiction, background to humor, secret to memoir, this addictive quantity beneficial properties books to compare your entire moods—by either celebrated writers and proficient unknowns, including:
• Russell Baker • Willa Cather • Raymond Chandler • F. Scott Fitzgerald • Graham Greene • Edith Hamilton • Dashiell Hammett • Helene Hanff • Ernest Hemingway • Patricia Highsmith • Shirley Jackson • Henry James • W. Somerset Maugham • Mary McCarthy • Walter Mosley • Vladimir Nabokov • Patrick O'Brian • Barbara Pym • Phillip Roth • Vikram Seth • Isaac Bashevis Singer • C. P. Snow • Dylan Thomas • Evelyn Waugh • Edith Wharton • Laura Ingalls Wilder • Virginia Woolf
Each choice includes an wonderful dialogue of what makes the booklet detailed, from an adventurous writing type to a different humorousness. The Majors additionally percentage insights in regards to the authors and literary anecdotes, in addition to suggest different gemstones on an analogous topic or through an identical author.
A literary significant other to get pleasure from and discuss with repeatedly, a hundred One-Night Reads is a masterpiece in its personal correct!
Read Online or Download 100 One-Night Reads: A Book Lover's Guide PDF
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Extra resources for 100 One-Night Reads: A Book Lover's Guide
Because the motives for reading literature have always been and continue to be pleasure and wisdom. Both motives arise, surely, from the universals of the human condition, such Reading Mary Barton ● 39 as death or time. I know that these too are subject, in various ways that have been brilliantly analyzed, to culture and power and so forth. But not always, never completely, and, more to the point, never completely for the individual. Whatever else may be true of my sense-making, the thing that matters for me is to make sense for myself.
Carson and a family friend, Job Legh. Barton has just confessed to the crime: ‘Don’t dare to think [Carson replies] that I shall be merciful, and spare you, because you have come forward to accuse yourself. I tell you I will not spare you the least pang the law can inf lict—you, who did not show pity on my boy, shall have none from me’ (363). Barton tells him his life has been agony since he committed the crime. Carson replies, ‘Have I had no suffering to blanch these hairs. . ’ (365) Barton is moved to comfort Carson but, as if it were a new thought, recalls he is the cause of Carson’s suffering and has “forfeited all right to bind up his brother’s wounds.
I am not sure what notion of a reader this approach may assume, but it is not fully entailed by Iser’s implied reader. In Williams’s analysis, for example, the context enlarges and the writing shrinks, suggesting an authoritativeness or definitiveness alien to Iser’s concept of the reader. More can be learned about what these differing approaches imply— they are not really mutually exclusive—by turning to another of the disputes about the novel, this one about Mary. Many readers of the novel, like Williams, read Mary’s story as pure melodrama.